W.D. Campbell recorded and sketched about 250 Aboriginal rock art sites across Sydney across nine parishes (predominantly engraving sites).  A number of the coastal and what are now inner-city sites have been lost to development and weathering, but many of the engravings are still in good condition.

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An Aboriginal engraving of a "dancing man", axe grinding grooves and a water channel on a long rock platform below the Waratak Trail.
A small Aboriginal engraving site in thick scrub, which includes a fsh and an emu in an unusual pose.
A fish with a hook inside its body near the Waratah Track (part of a series of Aboriginal engravings).
Described as a "sacred site for whales", this large Aboriginal engraving stie near the Waratah Track includes two whales (one with a man inside it) and a deity figure.
A fish and sword club in thick scrub near the Waratah Track (part of the Arden Trig series of Aboriginal engravings).
An Aboriginal engraving site just below the Waratah Trail surrounded by thick scrub, which has an enormous whale
An Aboriginal engraving site described as a "successful kangaroo hunt", which has a woman, kangaroo and boomerang.
Two shields and some indeterminate figures at an Aboriginal engraving site on a tesselated pavement within Red Hill Reserve.
The Wheeler Heights Aboriginal Site is large site documented by W.D. Campbell in 1899, who described it as “one of the finest groups the Writer has come across”. The scenes include two men fighting and a successful kangaroo hunt.
Solitary Aboriginal engraving of a fish, below the Willunga Trig station.
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