More than 6000 carvings on several sites around Alta, which bear the traces of settlement dating from 7000 to 500 BC. A walkway passes a number of panels in this UNESCO World Heritage listed area.

Since the Rock Art of Alta engravings were discovered in 1966, over 6000 rock carvings have been found on 45 panels (rock platforms) around the Alta Fjord. The earliest carvings dated to around 6000-7000 BC, and the most recent about 500 BC. The rock carvings constitute the most important piece of evidence supporting the existence of human activity in the confines of the Great North during the prehistoric period. More rock art made by hunter-gatherers is found in Alta than anywhere else in northern Europe, suggesting that for thousands of years Alta was an important meeting place far north of the Arctic Circle. Alta’s rock carvings were most likey made using quartzite chisels driven by hammers made from harder rocks; examples of chisels have been found throughout the area and are on display in Alta Museum. Use of rock chisels seems to have continued even after metal tools came into use in the area. Although many of the carvings are pigmented, this is not natural: some of the older carvings were painted red in the 1970s to make them more visible. This process is now being reversed to preserve the authenticity of the art.

The largest site, Hjemmeluft (about 5 kilometres from Alta) contains thousands of individual carvings which are publicly accessible. This site, along with four others (Storsteinen, Kåfjord, Amtmannsnes and Transfarelv) was placed on the UNESCO list of World Heritage Sites on 3 December 1985 and is Norway’s only prehistoric World Heritage Site. (Many additional sites have been discovered and added since the UNESCO listing.) The Hjemmeluft site is located around Jiepmaluokta, a bay on the southwestern edge of the town of Alta. A walkway with interpretative signage passes multiple panels with rock carvings.

Another large panel a bit further along the walkway is Bergbukten 4B, which also depicts hunting scenes (on land and sea) and features large herds of elk and reindeer.

Bergbukten 3A depicts a number of boats (as well as elk and reindeer).

Further along the walkway are panels that show many more elk and reindeers that have not been painted (or have had the paint removed), including Apana Gård 2A and Ole Pedersen 8A.

The rock carvings at Hjemmeluft can be accessed via a wooden walkway from May to September, while the Alta Museum and World Heritage Rock Art Centre is open year-round.

Indigenous sites by National Park

Over 40 sites have been recorded within the park; many were located along the river bank and were flooded by the building of the weir in 1938.
Many sites Aboriginal engraving sites across the inner suburbs of Sydney have been destroyed or are very weatheredl. The sites which remain are isolated from their natural environment.
Located to the north-west of Sydney, just south of the Dharug and Yengo National Parks. Maroota has a high concentration of (known) Aboriginal sites. The original inhabitants of the Maroota area were the Darug people.
Yengo National Park was an important spiritual and cultural place for the Darkinjung and Wonnarua People for thousands of years, and 640 Aboriginal cultural sites are recorded in the park and nearby areas.
There are over 350 Aboriginal engraving and sites recorded in the Central Coast region, many of these in the Brisbane Water National Park.
Over a hundred Aboriginal sites have been recorded in the Hornsby region, with many of these in the Berowra Valley National Park and around the suburb of Berowra.

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