Summary: An Aboriginal engraving of an enormous whale (8 metres in length) which appears to be blowing bubbles. The site is part of the Warrah Sanctuary group.

This Aboriginal engraving site is the first of a series of six described by McCarthy as the Warrah Sanctuary group. A large whale, about eight metre in length, is carved on vast rock platform.

The whale was described by McCarthy as having a “long, conical head, oval body, 2 misplaced pectoral fins, small tail, 2 eyes, around and on the surface of which are 8 tiny ovals and circles 6-9″ long, probably representing a whale blowing”.

Most of the whale’s body is well-defined, but some figures within the whale’s body (two fish, an incomplete figure and a V-shaped figure) are covered by water which collects in a shallow depression after rain.

South west of the whale is what may be a stone arrangement; this was not recorded by McCarthy (although he did record a separate stone arrangement site much some distance away in the same direction).

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Aboriginal Sites by National Park

Yengo National Park was an important spiritual and cultural place for the Darkinjung and Wonnarua People for thousands of years, and 640 Aboriginal cultural sites are recorded in the park and nearby areas.
Red Hands Cave, Glenbrook (Blue Mountains)
The Blue Mountains National Park (and surrounding areas along the Great Western Highway) is thought to have over a thousand indigenous heritage sites, although much of the park has not been comprehensively surveyed. The Aboriginal rock sites in the Blue Mountains include grinding grooves, stensils, drawing and rock carvings.
Hornsby Shire - which is the largest LGA in the Greater Sydney Metropolitan region - contains approximately 600 recorded Aboriginal rock art sites (and over 1,200 Aboriginal heritage sites). These date back from thousands of years to post-European contact art.
Over 40 sites have been recorded within the park; many were located along the river bank and were flooded by the building of the weir in 1938.