Summary: An Aboriginal engraving site above the Mt Ku-ring-gai Track with a giant bandicoot, echidna, three men and what may be an ancestral figure.

Above the Mt Ku-ring-gail Track, on adjacent rock platforms surrounded by scrub, is an Aboriginal engraving site. The figures include a giant bandicoot, echidna, two men and what may be an ancestral figure.

The bandicoot is over a meter in length, on the edge of a rock, with an echidna beneath its snout.

There is considerable detail in its long mouth, or snout.

AWAT9735 LR Mt Ku-ring-gai Track engravings

Next to the bandicoot are two men. The lower of the two men has upraised arms, and what appears to be a waist-belt. His legs are very weathered and his feet are not visible.

A second man is just above this figure; he is also either fairly weathered or lightly grooved, although most of his outline is still visible.

1X3A6441 LR Mt Ku-ring-gai Track engravings

He seems to have an elaborate head head-dress.

On a nearby, dome-shaped rock is either another man, or – due to his much larger size than the other men – a deity figure.

HIs head, right arm and both feet are fairly distinct – but much of the left side of his body has weathered away.

This a rough representation of the man/deity, as the entire figure can no longer be accurately determined.

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Aboriginal Sites by National Park

The Greater Blue Mountains World Heritage Area protects over 3,000 known Aboriginal heritage sites, and many more which are yet to be recorded. This area includes the Blue Mountains National Park, Gardens of Stone, Wollemi National Park and Yengo National Park.
Yengo National Park was an important spiritual and cultural place for the Darkinjung and Wonnarua People for thousands of years, and 640 Aboriginal cultural sites are recorded in the park and nearby areas.
Hornsby Shire - which is the largest LGA in the Greater Sydney Metropolitan region - contains approximately 600 recorded Aboriginal rock art sites (and over 1,200 Aboriginal heritage sites). These date back from thousands of years to post-European contact art.