The latest indigenous sites I’ve visited and documented, with links to historical records where available. To find a specific site or search by site features, use the Indigenous Site Search.

A small Aboriginal rock engraving site partly destroyed by the construction of the F3 freeway. It has five figures, including two intaglio boomerangs.
An unusal Aboriginal engraving of a cicada in Ingleside, first documented by W.D. Campbell.
A large Aboriginal engraving site in Ingleside with which has over 24 motifs, the largest being an emu. McCarthy described the site as an emu hunt.
A small Aboriginal engraving site in Ingleside, which has two pairs of men in a scene described by McCarthy as representing fishermen returning to camp.
A small Aboriginal engraving site above a tributary of Wheelers Creek, with a single figure revembling a speared eel.
A complex Aboriginal engraving site in Red Hill Reserve with over 40 figures, many of them overlapping and a number of them fairly unusual.
Two men, a large circle and an eel next to five fish on three adjacent Aboriginal rock art sites on a ridge above Wheeler Creek.
A small Aboriginal shelter with art in the Kings Tableland; some of the charcoal motifs have been damaged by fire and exfoliation.
A series of four shelters along the same cliff-line with over 300 Aboriginal rock art motifs. The figures include bullroarers, hand stencils and the tail feathers of a bird.
An Aboriginal engraving site near Mount Penang with an eel, shield and indeterminate figure.
A small Aboriginal engraving site near Mount Penang with two eels and three smaller figures (man holding club and boomerang).
An elongated figure resembling a kangaroo tail and two mundoes on a small sandstone platform near Reeves Street.
A very long and deep shelter which has multiple panels of Aboriginal rock art, with both charcoal and red ochre motfs.
An enormous sandstone overhang, with a small panel of Aboriginal charcoal art on a low panel.
An Aboriginal rock art site in the lower Blue Mountains with a unique deity or spirit figure drawn in white ochre.
A small and shallow shelter in the lower Blue Mountains whch contains about 15 red ochre hand stencils. Nearby is a small pool with grinding grooves.
A series of waterholes with grinding grooves on a large sandstone creek bed near Red Hand Cave.

INDIGENOUS SITES BY PARK

Red Hands Cave, Glenbrook (Blue Mountains)
The Blue Mountains National Park (and surrounding areas along the Great Western Highway) is thought to have over a thousand indigenous heritage sites, although much of the park has not been comprehensively surveyed. The Aboriginal rock sites in the Blue Mountains include grinding grooves, stensils, drawing and rock carvings.
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Hornsby Shire - which is the largest LGA in the Greater Sydney Metropolitan region - contains approximately 600 recorded Aboriginal rock art sites (and over 1,200 Aboriginal heritage sites). These date back from thousands of years to post-European contact art.
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Over 40 sites have been recorded within the park; many were located along the river bank and were flooded by the building of the weir in 1938.
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Located to the north-west of Sydney, just south of the Dharug and Yengo National Parks, Maroota has a high concentration of (known) Aboriginal sites. Many more Aboriginal heritage sites are located in the Marramarra National Park. The original inhabitants of the area were the Darug people.