Summary: A complex Aboriginal engraving site in Berowra, which has eleven figures along a long rock ledge overlooking Joe Crafts Creek.

This interesting Aboriginal engraving site in Berowra is situated along a long rock ledge with views over Joe Crafts Creek. It was initially recorded by the 1st Hornsby Boy Scouts in the early 1950s, and then by Fred McCarthy in 1958, who documented the engravings in two series, or groups.

Series 1 (Fig A)

The motifs in this group are all animals, with the scene described (by McCarthy) as

a casual series of animals sought for food and a common sight in the bush as portrayed.

The largest figure is an emu: “standing upright, 8’6″ high, rounded head and beak, no eyes, straight neck upward at 45º, arched back, half oval rump projecting backward…”

There are three leaping kangaroos, two of them described as a pair, and the third at right angles. All three are “well posed with their bodies parallel to the ground, heads forward, angles of the tails varying and all are posed landing on their hind feet”.

The smallest figure is an echidna, which has a “long pointed head, 2 eyes, high arched back truncated legs vertical”.

Series 2 (Fig B)

This group is only 60m from Series 1 on the same ledge, but has very different motifs and was thought to be of ritual significance:

the broad man with a headdress and the koala [deity figure] may illustrate a mythological incident, and the 2 men, dead emu and shield a successful hunt as these two sets of figures appear to have been done at different times and to be unrelated.

The topmost figure of this group is a man, with “half oval head, 2 eyes, neck, pointed arms steeply upraised”.

Below the is most interesting motif: it was initially described by McCarthy (1958) as a “large bird 5 ft 6 in long, whose wings are uneven and what appears to be the neck and head of an emu incorporated in the figure”. About 25 years later, McCarthy decided that the figure was “an ill-shaped man… tiny triangular head, no eyes or neck, curved headdress 4′ long extends down the right side of his body.” So, bird – or man?

1X3A2029 LR 1 Graham Close Emu and Kangaroos Aboriginal site1X3A2029 LR highlighted 1 Graham Close Emu and Kangaroos Aboriginal site

The Daramulan has the usual “emu-like figure”: it was described by McCarthy as both a “deity figure…. of the one-legged Daramulan type” and as a “koala” (which was a term used to describe a deity figure).

1X3A2009 LR Graham Close Emu and Kangaroos Aboriginal site

Nearby is a man with upraised and incurved arms: the figure is very weathered and the grooves crudely pitted, making it hard to determine the detail of the figure.

1X3A2010 LR Graham Close Emu and Kangaroos Aboriginal site

The large emu was described as both “poorly drawn” and “poorly shaped”. It is the largest figure in this group.

Subscribe via Email

Enter your email address to subscribe to Hiking the World, and receive notifications of new posts by email. (A hike is added every 1-2 weeks, on average.)

Join 1,267 other subscribers

0 Comments

Leave a Reply

Aboriginal Sites by National Park

Located to the north-west of Sydney, just south of the Dharug and Yengo National Parks, Maroota has a high concentration of (known) Aboriginal sites. Many more Aboriginal heritage sites are located in the Marramarra National Park. The original inhabitants of the area were the Darug people.
The Greater Blue Mountains World Heritage Area protects over 3,000 known Aboriginal heritage sites, and many more which are yet to be recorded. This area includes the Blue Mountains National Park, Gardens of Stone, Wollemi National Park and Yengo National Park.
A review of different techniques for photographing Aboriginal rock art. This includdes oblique flash, chain and planar mosaic imaging which combines hundreds of overlapping photos.
Hornsby Shire - which is the largest LGA in the Greater Sydney Metropolitan region - contains approximately 600 recorded Aboriginal rock art sites (and over 1,200 Aboriginal heritage sites). These date back from thousands of years to post-European contact art.