The largest figure on this long rock platform above the Boree Track is an emu, first documented by Ian Sim in the 1960s:
This group contains a large male emu, with its footprint attached. It appears that the erosion has shaped this emu in the form of a natural depression in the sandstone. The aboriginals have apparently noticed its resemblance to an emu and grooved the the inner edge deeply. In wet weather, the body of the emu fills with water and overflows along the legs.
Ian Sim
Using the natural formation of the rock for part of the emu makes this engraving relatively unusual for this area. Parts of the rock surface has experienced cracking and natural weathering, which was noted by Sim in the 1970s.
About 70m from the emu is a man with a rayed headdress, described as a small spirit figure, and were possibly engraved after the emu.
A second rayed figure is nearby.
As with many of the elevated Aboriginal engraving sites along the Boree Track, the spiritually significant and distinctive Mount Yengo can be seen to the north-west.
A line of six mundoes (footprints) was also recorded on the rock platform (not recorded by Sim) which appear to come from the Finchley engraving site.





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