Big Yengo Tobacco Shelter with Art

Summary: The Big Yengo Tobacco Shelter is a large, deep overhang in Yengo National Park with Aboriginal rock art (charcoal drawing and hand stencils).

  • Site type: Cave Painting, Stencil - Hand
  • Number of motifs: 4
  • Motif/s: Hand, Indeterminate figure
  • Condition of site: Good
  • Year first recorded: 2018

Named as it was used for drying tobacco by the early settlers, this shelter also contains traces of Aboriginal rock art. The large overhang has a sloping, sandy floor.

1X3A0546 LR Big Yengo Tobacco Shelter with Art
1X3A0547 LR Big Yengo Tobacco Shelter with Art

Parts of the sandstone walls and roof have been weathered by the wind, and there’s an enormous (and fortunately deserted) wasp nest.

1X3A0538 LR Big Yengo Tobacco Shelter with Art
1X3A0539 LR Big Yengo Tobacco Shelter with Art

Hiddem on one of the smooth sections of the wall is a charcoal drawing.

1X3A0543 LR Big Yengo Tobacco Shelter with Art

The shelter also has some faded red ochre hand stencils.

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Aboriginal Sites by National Park

Aboriginal Rock Art in the Greater Blue Mountains
The Greater Blue Mountains World Heritage Area protects over 3,000 known Aboriginal heritage sites, and many more which are yet to be recorded. This area includes the Blue Mountains National Park, Gardens of Stone, Wollemi National Park and Yengo National Park.
Aboriginal Rock Art – Lane Cove
Over 40 sites have been recorded within the park; many were located along the river bank and were flooded by the building of the weir in 1938.
Aboriginal Rock Art – Yengo National Park
Yengo National Park was an important spiritual and cultural place for the Darkinjung and Wonnarua People for thousands of years, and 640 Aboriginal cultural sites are recorded in the park and nearby areas.
Aboriginal Rock Art – Hornsby Shire
Hornsby Shire - which is the largest LGA in the Greater Sydney Metropolitan region - contains approximately 600 recorded Aboriginal rock art sites (and over 1,200 Aboriginal heritage sites). These date back from thousands of years to post-European contact art.