The latest indigenous sites I’ve visited and documented, with links to historical records where available. To find a specific site or search by site features, use the Indigenous Site Search.

An Aboriginal engraving of a large eel (or rainbow serpent) and several bird tracks on a ridge off the Bala Range Trail.
An enormous sandstone shelter in the Bala Range, which has over forty figures in charcoal and red ochre. They include two anthropomorphs which are over two metres tall, and a number of animals.
A shallow ridge-top shelter above New Place Creek which has charcoal motifs (birds) and hand stencils.
A long shelter in the Bala Range with three charcoal figures, including a man and macropod.
A rock platform near the Boree Track which has an engraving of a woman (in profile) and numerous axe grinding grooves.
A small group of Aboriginal engravings near Devils Rock; one of the sites has three men and a boomerang.
A large and very sheltered camping cave along the Boree Track, which contains over 50 Aboriginal rock art motifs (including a large kangaroo, deity figure and a possible contact motif).
A deep and protected Aboriginal rock art shelter containing 40 motifs. The figures include two red ochre anthropomorphs connected by a line.
A long and deep shelter above Little Boree Creek, which contains over twenty figures including a large kangaroo and arm stencil.
An Aboriginal rock art shelter with multiple panels containing figures drawn in charcoal art, which are the remnants of a large frieze.
A large rock platform above the Boree Track which has several engravings, including a large emu, two spirit figures and a line of mundoes.
An Aboriginal engraving site near the Boree Track with a large Baiame figure, man and speared echidna.
A low shelter along the Boree Track with Aboriginal drawings of men and women in charcoal.
A shelter below a small cliff line which contains over 50 hand stencils; nearby are grinding grooves and a stone arrangement.
An large rock platform near Bilpin, which has approximately 100 Aboriginal grinding grooves and several engravings.
Largely damaged by graffiti and vandalism, this rock art site in Mosman was first documented in the 1890s. Only a large figure in red ochre is still visible.
An unusual rock art site near Kanab, the Mansard Petroglyph Gallery has a number of long and deep grooves as well as a large number of petroglyphs on the sloping floor.
The Canaan Gap Petroglyphs is an intriguing rock art site, with very deeply etched "Cookie Cutter" figures depicting many animal and human figures.
A rock art site with multiple panels in Rosy Canyon (Arizona); the largest panel has eight basket petroglyphs. Next to the petroglyphs is the remains of a dwelling and some pictographs.

INDIGENOUS SITES BY PARK

Red Hands Cave, Glenbrook (Blue Mountains)
The Blue Mountains National Park (and surrounding areas along the Great Western Highway) is thought to have over a thousand indigenous heritage sites, although much of the park has not been comprehensively surveyed. The Aboriginal rock sites in the Blue Mountains include grinding grooves, stensils, drawing and rock carvings.
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Hornsby Shire - which is the largest LGA in the Greater Sydney Metropolitan region - contains approximately 600 recorded Aboriginal rock art sites (and over 1,200 Aboriginal heritage sites). These date back from thousands of years to post-European contact art.
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Over 40 sites have been recorded within the park; many were located along the river bank and were flooded by the building of the weir in 1938.
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Located to the north-west of Sydney, just south of the Dharug and Yengo National Parks, Maroota has a high concentration of (known) Aboriginal sites. Many more Aboriginal heritage sites are located in the Marramarra National Park. The original inhabitants of the area were the Darug people.