Wollemi National Park was the traditional home of the Wiradjuri, Dharug, Wanaruah and Darkinjung people, with evidence of their occupation including ceremonial grounds, stone arrangements, grinding grooves, scarred trees and rock engravings. There are about 300 recorded Aboriginal heritage sites in the national park, but the rugged and remote topography means that for every known site there are likely to be at least two more yet to be “discovered”. Many significant Aboriginal sites like “Eagles Reach” have only been recorded in the last decade.

A shelter below a small cliff line which contains over 50 hand stencils; nearby are grinding grooves and a stone arrangement.
Two adjacent Aboriginal rock art sites on Rock Island in Wollemi National Park, with five hand stencils in white ochre.
A long rock shelter with spectacular Aboriginal cave paintings in red ochre. The four large figures are said to represent quails.
An Aboriginal rock art shelter near the South Terraborra Trail which has numerous motifs in charcoal, including a wallaby and kangaroo.
A small Aboriginal rock art shelter near Tari Creek in the Wollemi with a single charcoal figure.
A row of Aboriginal axe grinding grooves in a long shelter above Tari Creek in the Wollemi.
A single Aboriginal hand stencil in a small overhang near Tari Creek.
A large sandstone shelter above Tari Creek, which has several unusual Aboriginal rock art figures in white and charcoal.
Tesselate Hill (or Tesselated Pavements) has an Aboriginal engraving and many grinding grooves over the large rock surface.
A small Aboriginal rock art site along a low cliff line above the Wollangambe River, which has multiple hand stencils and a stone axe.
An enormous overhang in a remote section of the Wollemi, with a small panel of Aboriginal rock art which includes an unusual therianthrope motif.
A single figure drawn in red ochre, in a remote shelter in the Tollagong Range.
An isolated rock shelter west of Box Tree Clearing Trail has about 15 Aboriginal hand stencils in red ochre along the rear wall.
Multiple Aboriginal stencils and a drawing of an eel (showing endoskeleton) in white ochre, in the Tollagong Range.